Woman makes meatballs, creates grid-based conceptual art.

In a reference to the modernist grid, the artist has (initially) painstakingly placed hand-crafted balls of raw meat in a square formation. As the artist engages with this process, she chooses - toward the end of the construction - to abandon the hitherto reliable and highly structured grid for a more haphazard approach and experimentation with the rigourous constraints of a pre-determined control system.


Mixed Media 2007